Press

  • RhymeBeat Review

    timetokill made me sit with my emotions. For that, I am grateful. This is both a discomforting and nurturing composition of music that bolsters Myles as one of the next major voices on an already solidified roster of underground talents.

  • Ghettoblaster Review

    Here we find out Myles Bullen is a chameleon of sorts, with the ability to survive in whatever musical sphere he enters.

    I truly do believe he is the future of music, unafraid to be himself, comfortable in his own skin. While his lyricism may be self-deprecating at times, it doesn’t control or define who he is. timetokill, is a fascinating album sharing all aspects of who he is.

  • Brooklyn Vegan Shout Out

    Myles Bullen released new LP timetokill on March 1 via Fake Four Inc, and these two singles find him blending rap, emo, and electronic art pop

  • Strange Ways Makes Space for Live Music

    …Bullen spoke and sang about addiction and grief as well, and like the others offered hope and connection in a loving and peaceful way. Even his final song, ​“Not Dead Yet,” which he said was a ​“confession” about processing thoughts of death ​“in a healthy way,” became a communal experience as he got everyone up on their feet to dance if they wanted, and sing along with such lyrics as ​“I wanna die eating ice cream. I wanna die by a lake. I don’t wanna live forever, maybe just to 108.” By the end the crowd was singing in unison, and he added ​“I wanna live feeling grateful. I wanna live having fun,” which was exactly what he got everyone to do in that moment.

  • Ordinary Magic (Music Video) - Brooklyn Vegan

    “[On “Ordinary Magic,” Bullen] shows off a trippy, abstract delivery [reminiscent] of R.A.P. Ferreira, and Woods counteracts that with a booming, direct verse that’s as bulletproof as you’d expect. “ - Brooklyn Vegan

  • Ordinary Magic - Flood Magazine

    “The intersection of rap and introversion doesn’t seem to be particularly populous—if anything, the genre has traditionally been an outlet for otherwise-shy kids to express themselves more confidently than anywhere else. Thus leaving the lane wide open for someone like Myles Bullen to come through and drop an album like Mourning Travels, which often feels more like sing-songy poetry than hard-hitting bars, with only a handful of soft-voiced, bedroom-confined emcees of yore—such as Otem Relik and Deathbomb-signee Hareld—setting a precedent. With ideas and sounds carrying over from their last record, Healing Hurts, Mourning Travels is a continuation of the journey toward recovery, comfortably translating all the twists along the way into interesting left-turn instrumental and lyrical choices.” - Flood Magazine

  • Mourning Travels Review - Portland Phoenix

    “Here it’s clear he’s evolved. Meditation, mental health, introspection, and the language of therapy are woven into everything here, right alongside anti-capitalist messages and concerns about climate change. He’s connected the dots. ” – Portland Phoenix

  • Healing Hurts Album Review - Scratched Vinyl

    “‘Mourning Travels is my continued travelog entry on grief’ says Bullen. Wading through the waters of mental health, friendship and tenderness through a painful yet playful lense. From the anarchist, ukulele sing-talk diddy about the apocalypse, to a soft, lofi-folk tune about being a very small creature, to a screaming dream-pop anthem about not killing yourself, Mourning Travels is a coffee table eulogy; a fruit basket; a train ride; a long walk. Mourning Travels is best listened to on a long walk going somewhere you’ve never been.” - Scratched Vinyl

  • 100 essential Maine albums of the decade

    “The second album from rapper and spoken word artist Myles Bullen is louder and more cohesive than his 2017 debut, which makes a sturdier platform for him to rep his style — conscious, vulnerable and all about healing. He’s a young dude, but brave, and he’s got a ton of folks on his side.” - Bangor Daily News